b. 1
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composition: Op. 28 No. 18, Prelude in F minor
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The marking present in FE (→EE) instead of the authentic indication must have resulted from the engraver's carelessness – see the Prelude in E minor no. 14. category imprint: Differences between sources issues: Errors in FE , 4/4 or 2/2 |
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b. 1
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composition: Op. 28 No. 18, Prelude in F minor
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In the main text, we include the fingering coming from Chopin, and written into FED. category imprint: Differences between sources |
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b. 1-6
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composition: Op. 28 No. 18, Prelude in F minor
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In A we can see that the pairs of chords in b. 1-2 and 5-6 were initially provided with staccato dots and not slurs. In b. 1 the dots were deleted and replaced with a slur; in the remaining ones, Chopin wrote the slurs in a way so as to cover the dots. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 1
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composition: Op. 28 No. 18, Prelude in F minor
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In A we can see the initial tempo indication having been deleted – Presto con fuoco. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Changes of tempo markings |
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b. 1-2
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composition: Op. 28 No. 18, Prelude in F minor
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In A in both bars Chopin wrote and then crossed out the flats (cautionary?) before the 1st d quaver. category imprint: Corrections & alterations; Source & stylistic information issues: Cautionary accidentals , Deletions in A , Last key signature sign |